

TV · Zakończone
Shigatsu wa Kimi no Uso
Dramat · Muzyczne · Romans · ObyczajowePiano prodigy Arima Kousei dominated the competition and all child musicians knew his name. But after his mother, who was also his instructor, passed away, he had a mental breakdown while performing at a recital. This resulted in him no longer being able to hear the sound of his piano playing. Two years later, Kousei hasn’t touched the piano and views the world without any flair or color. He was content at living out his life with his good friends Tsubaki and Watari until, one day, a girl changed everything. Miyazono Kaori is a pretty, free spirited violinist whose playing style reflects her personality. Kaori helps Kousei return to the music world and show that it should be free and mold breaking unlike the structured and rigid style Kousei was used to.

Ryouta Watari
MAIN
Ryouta Oosaka · JAPANESE

Kousei Arima
MAIN
Natsuki Hanae · JAPANESE

Tsubaki Sawabe
MAIN
Ayane Sakura · JAPANESE

Kaori Miyazono
MAIN
Risa Taneda · JAPANESE

Saitou
SUPPORTING
Kazuyuki Okitsu · JAPANESE

Nao Kashiwagi
SUPPORTING
Shizuka Ishigami · JAPANESE

Risa Taneda
Insert Song Performance ("Twinkle, Twinkle, Little Star"; ep 3)

Jin Aketagawa
Sound Director

Ludwig van Beethoven
Insert Song Composition ("Piano Sonata No. 14 <Moonlight> Third Movement"; ep 1)

Ludwig van Beethoven
Insert Song Composition ("Violin Sonata No. 9 <Kreutzer> First Movement"; ep 2)

Wolfgang Amadeus Mozart
Insert Song Composition ("Twelve Variations on Twinkle, Twinkle, Little Star"; ep 3)

Anohana: The Flower We Saw That Day
TV · Zakończone

Takeshi Aiza
SUPPORTING
Yuuki Kaji · JAPANESE

Emi Igawa
SUPPORTING
Saori Hayami · JAPANESE

Saki Arima
SUPPORTING
Mamiko Noto · JAPANESE

Hiroko Seto
SUPPORTING
Mie Sonozaki · JAPANESE

Nagi Aiza
SUPPORTING
Ai Kayano · JAPANESE

Koharu Seto
BACKGROUND
Inori Minase · JAPANESE

Otokonoko
BACKGROUND
Mariko Higashiuchi · JAPANESE

Masaru Yokoyama
Music

Fryderyk Chopin
Insert Song Composition (Eps 6, 8-10, 15, 19)

Fryderyk Chopin
Insert Song Composition ("Étude in E minor, Op. 25, No. 5"; eps 6, 7, 9, 10, 15)